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From Chapter 4:
Gardiner evidently follows this account, for his version of the story is: "Newcastle strolled towards his coach to solace himself with a pipe. Before he had time to take a whiff, the battle had begun." The incident was made the subject of a picture by Ernest Crofts, A.R.A., which was exhibited at the Royal Academy in 1888. It shows the Duke leaning out of his carriage window, with his pipe in his hand.
From Chapter 5: Among the many medicinal virtues attributed to tobacco was its supposed value as a preservative from contagion at times of plague. Hearne, the antiquary, writing early in 1721, said that he had been told that in the Great Plague of London of 1665 none of those who kept tobacconists' shops suffered from it, and this belief no doubt enhanced the medical reputation of the weed. I have also seen it stated that during the cholera epidemics of 1831, 1849, and 1866 not one London tobacconist died from that disease; but good authority for the statement seems to be lacking. Hutton, in his "History of Derby," says that when that town was visited by the plague in 1665, that at the "Headless-cross ... the market-people, having their mouths primed with tobacco as a preservative, brought their provisions.... It was observed, that this cruel affliction never attempted the premises of a tobacconist, a tanner or a shoemaker." Whatever ground there may have been for the belief in the prophylactic effect of smoking, there can be no doubt that in the seventeenth century it was firmly held. Howell in one of his "Familiar Letters" dated January 1, 1646, says that the smoke of tobacco is "one of the wholesomest sents that is against all contagious airs, for it overmasters all other smells, as King James they say found true, when being once a hunting, a showr of rain drave him into a Pigsty for shelter, wher he caus'd a pipe full to Be taken of purpose." But here Mr. Howell is certainly drawing the long-bow. One cannot imagine the author of the "Counterblaste" countenancing the use of tobacco under any circumstances.
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Cigarette and Tobacco Information:
From Chapter 4: There is a curious entry in Thomas Burton's diary of the proceedings of Cromwell's Parliament, which suggests that there may then have been the luxury of a members' smoking-room. Burton was a member of the Parliaments of Oliver and Richard Cromwell from 1656 to 1659, and made a practice—for which historical students have been and are much his debtors—of taking notes of the debates as he sat in the House. Members sometimes objected to and protested against this note-taking, but Burton quietly went on using his pencil, and though his summaries of speeches are often difficult to follow, argument and sense suffering by compression, he has preserved much very valuable matter. Referring to a debate on January 7, 1656-57, on an attempt to go behind the previously passed Act of Oblivion, the diarist records that "Sir John Reynolds had numbered the House, and said at rising there were 220 at the least, besides tobacconists." This can only mean that there were at least 220 members actually present in the House when it rose, not counting the "tobacconists" or smokers, who were enjoying their pipes, not in the Chamber itself, but in some conveniently adjoining place, which may have been a room for the purpose, or may simply have been the lobby referred to above in the extract from "Mercurius Pragmaticus."
From Chapter 6:
Many of the tobacco-boxes used in the latter part of the seventeenth century were imported from Holland. They were long or oval and were usually made of brass. They can be easily identified by their engraved subjects and Dutch inscriptions. An example in the Colchester Museum is made of copper and brass, with embossed designs and inscriptions, representing commerce, &c., on the base and lid. It has engraved on the sides the name and address of its owner—"Barnabas Barker, Wyvenhoe, Essex." The similar boxes later made in England usually had embossed ornamentation.
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Tobacco History:
Cigarettes and Literature
From Chapter 1: The form and make of the first pipe is a matter I do not propose to go into here; but in connexion with the first pipe smoked in this country Aubrey's interesting statements must be given. Writing in the time of Charles II, he said that he had heard his grandfather say that at first one pipe was handed from man to man round about the table. "They had first silver pipes; the ordinary sort made use of a walnut shell and a straw"—surely a very unsatisfactory pipe. Tobacco in those earliest days, he says, was sold for its weight in silver. "I have heard some of our old yeomen neighbours say that when they went to Malmesbury or Chippenham Market, they culled out their biggest shillings to lay in the scales against the tobacco."
From Chapter 7: Hogarth's subscription ticket for the print of Sigismunda was Time smoking a Picture (1761). It represents an old man sitting on a fragment of statuary and smoking a long pipe against a picture of a landscape which stands upon an easel before him. Below, on his left, is a large jar labelled "Varnish." The figure of Time is nude and has large wings. Volumes of smoke are pouring against the surface of the picture from both his mouth and the bowl of his long clay pipe. In The Stage-Coach, or Country Inn-yard, is shown an old woman smoking a pipe in the "basket" of the coach. The plate of The Distrest Poet (1736) shows four books and three tobacco-pipes on a shelf. In the second of the "Election" series—the Canvassing for Votes (1755)—a barber and a cobbler, seated at the table in the right-hand corner, are both smoking long pipes. Apparently they are discussing the taking of Portobello by Admiral Vernon in 1739 with only six ships; for the barber is illustrating his talk by pointing with his twisted pipe-stem to six fragments which he has broken from the stem and arranged on the table in the shape of a crescent. In the frontispiece which Hogarth drew in 1762 for Garrick's farce of "The Farmer's Return from London," the worthy farmer, seated in his great chair, holds out a large mug in one hand to be filled with ale, while the other supports his long pipe, which he is smoking with evident enjoyment.
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